Friday, April 15, 2011

If you’re going to try, go all the way. Otherwise, don’t even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery—isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you’ll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you’re going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It’s the only good fight there is. - CB

Wednesday, April 13, 2011

























































Phrasing is delicate and emphasizes similarity in structure and modal potential in harmony


























































One thing TV does is help us deny that we’re lonely. With televised images, we can have the facsimile of a relationship without the work of a real relationship. It’s an anesthesia of “form.” The interesting thing is why we’re so desperate for this anesthetic against loneliness. You don’t have to think very hard to realize that our dread of both relationships and loneliness, both of which are like sub-dreads of our dread of being trapped inside a self (a psychic self, not just a physical self), has to do with angst about death, the recognition that I’m going to die, and die very much alone, and the rest of the world is going to go merrily on without me. I’m not sure I could give you a steeple-fingered theoretical justification, but I strongly suspect a big part of real art fiction’s job is to aggravate this sense of entrapment and loneliness and death in people, to move people to countenance it, since any possible human redemption requires us first to face what’s dreadful, what we want to deny.

Tuesday, April 12, 2011


Mass is not what it seems. This is because we inhabit a world of weight, density, texture, and tangibility. The realities produced by calculus and differential equations make no sense to us, literally. Our perceptions are keyed to specific sensations. Roughness, weightiness, smoothness, sharpness, dullness. Foods are sweet or bitter or a combination of the two. Some things are warm and dry, others cold and wet. We cannot conceive of a reality not immersed in such responses. Not without faith in numbers. Trajectories and orbital mechanics. Energy and force. Momentum and inertia. Some of these are available to our senses. We all know what velocity feels like. But when someone tells us that there is more space in an ingot of steel than there is steel, we balk at the truthfulness of such a statement. We might readily agree, based on what we have learned in science. But it still seems beyond the reach of imagining. Because if there is more space than steel in an ingot of steel, what does that say about us? Are we ghosts? Clouds of atoms? Symphonies of molecules? Waves of light and radiant heat? All improbable, all incredible revelations. But the fact remains: a three-ton ingot of steel is mostly space. If an atom were the size of a 14-story building, the nucleus would be a grain of salt in the middle of the seventh floor.





I ride my life on this shit




































































I'LL TURN YOU TO BONE






















































Let’s take a break and change everything